Tuesday, May 11, 2010

Citizen Kane (1941)

"I think it would be fun to run a newspaper."



“Movie spectaculars are films in which the magnitude and intricacy of the mise-en-scene share equal emphasis with or even outshine the story, the actors, and other traditional focal points for a movie” ,(Corrigan White 89). Citizen Kane (1941) is that movie. It has been the number one movie directors want to try and recreate. It is also a movie that you have to watch more than once. The first time you watch the film, you are confused to as what is going on. Director and star Orson Welles, tells the story of a man who has all that money can buy, except happiness.



The opening scene sets the whole tone for the rest of the film. At first we hear the non diegetic music sounding a lot like there’s a haunting grim reaper character lurking around the corner. The camera is focused on a ‘no trespassing’ sign and begins to move up to a low angle close up of a chain linked fence. “Recognizing the dominance of either the image as presence or the image as text within a single film or part of a film is the one way to begin to appreciate and understand it”, (Corrigan White 129). These low angle shots are used throughout the film whenever we see Welles’ character Charles Foster Kane. It makes him appear taller and important. There is very little light in this three minute opening scene. This darkness is continued throughout the film without the audience ever realizing it.


As the camera starts to become a deep focus, the audience starts to sense that this Kane character has amassed a fortune. We see a strong gate that looks like nothing ever leaves or enters the estate, exotic animals, a lake with gondola’s and a beautiful mysterious mansion hidden in the dark in the right corner. The deep focus on the camera keeps the audiences eyes glued to the center of the screen but still observing other images.


The camera shoots to a white light. As we witness the white light amongst the dark in the far right corner, Welles uses a lap dissolve here to move the camera and show the audience what is behind the white light. When the camera focuses more on the mysterious light and starts to fade from the other objects, the music becomes one with the lights flickering on and off. The use of sound and camera movement makes this scene one that defines this movie as a whole, mysterious and curiosity ensue.


The strange light dissolves into what looks like snow. When we first realize that the person is holding a snow globe, it’s too late. Welles use of mise-en-scene and camera movement in this opening sequence makes us want more. As the snow turns into a snow globe and it falls and smashes to the ground, an image of the nurse appears in the shattered glass. With an extreme close up of a man, the word, “Rosebud” is heard and this mysterious white light fades once again into the dark. The symbolism of the globe shattering is Kane’s innocence and childhood that was taken away to early. Something he couldn’t afford to buy. Like I said you need to watch this movie more than once to understand its greatness.

 
Citizen Kane. Director Orson Welles. Starring Orson Welles, Joseph Cotten, Ray Collins. Turner Home Ent. DVD.
Corrigan & White (2009), The Film Experience: An Introduction.

Saturday, May 1, 2010

3:10 to Yuma (2007)



"Butterfield: Twenty-two robberies. Over four hundred thousand dollars in losses. More in delays. The Southern Pacific will have Ben Wade convicted in a federal court. Hanged in public. An example made. And we will pay to make it happen."

"Ben Wade: Y'all notice he didn't mention any of the lives I've taken."



"The human fascination with creating illusions is an ancient one", (Corrigan White 98). Without an ensemble cast, a beautiful set, and costumes this period piece would not have been turned something that is believable today. After watching 3:10 to Yuma (2007), I learned that the lead actor is nothing without its supporting actors, the actors are nothing without the set and without the costumes this movie would not have worked.

In the movie, Russell Crowe plays a notorious robber out to take whatever he can get his hands on. Christian Bale plays his counterpart, a family man on the verge of losing his home due to his lack of funds. These two characters connect and stumble upon a journey neither one of them was expecting. The two men carry the film in a psychological twist with an ending you wouldn’t have thought could happen.

Casting Directors, Lisa Beach and Sarah Katzman, did an amazing job casting Bale as Dan Evans, a character completely opposite of his more famous role, Batman, in The Dark Knight (2008). Dan is a character you feel you have to cheer for, but there is something the way Bale plays him that makes you sense that this guy has something else he isn’t sharing. While he most of the time plays the leading admirable guy, Crowe is perfectly chosen as the rebel, Ben Wade, a man with a loyal following who will do anything to get their leader back. Crowe’s character is someone you are secretly cheering for because of the charisma Crowe displays on screen. Another great character is Charlie Prince. Played by Ben Foster, Prince is a devoted sidekick in Wade’s outlaw gang. He doesn’t know right from wrong. He only knows what Wade tells him to do, he never thinks for himself. His character never changes throughout the film. He is forever the sidekick and never a leader.

Yes, without the actors there would be no movie. But without the costumes and the set the movie would just not be worth watching. Unless you enjoy actors just reading from a table, then this movie is not for you. Shot in New Mexico, a set was recreated and “Principal photography took place in and around (cities) Santa Fe, Abiquiú, and Galisteo. “ (Wikipedia 3:10 to Yuma) The set design was so good that, “After filming concluded, the owners of the Cerro Pelon Ranch petitioned to keep a $2 million expansion to the movie set on their property, which was supposed to be dismantled within 90 days. The set of 3:10 to Yuma made up 75% of the overall sets on the ranch. In April 2007, the request was met by the county's development review committee to keep the expansion, which would potentially generate revenue in the future.” (Wikipedia 3:10 to Yuma)



                    Costume designer Arianne Phillips who just recently finished Knight and Day (2010) with Tom Cruise, who was actually signed on to play Ben Wade before Crowe, had to deal with the unexpected chilly weather while on location. Says co-star Peter Fonda, “Yes. First, costumes and weather were a concern and we have a fabulous costume designer by the way. Fabulous costume designer. Arianne [Phillips] is just fabulous so we were very lucky. Well, everybody in the shoot was fabulous, too, but I think this film was originally supposed to be shot in July and August, which would have been just fine with me. But we had serious weather problems, very, very cold days, below zero days. It had its hardships, which also gave us something to playwith as actors.” (Movies About)

Through performative development, bypassing character types, and creating scenic realism this remake of 3:10 to Yuma (2007) is one that can create a Wild Wild West feel without ever leaving your living room.


 



3:10 to Yuma. Director. James Mangold. Perf. Christian Bale, Russell Crowe, Ben Foster, Logan Lerman. 2007. Lionsgate. DVD. 2008
        Movie Poster
Corrigan & White (2009), The Film Experience: An Introduction. (Chapter 3)